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The
Five Mah¡bh£tas A
Semantic Analysis A. M. Ghatage By
the word mah¡bh£ta we usually
understand the elements out
of which all the material things in the world are formed or to which all
the material things can be reduced. In this sense, these can be considered
as the basic physical elements, the building blocks of the material world.
The history of Indian Philosophy has given rise to two distinct trends of
thought : One of them, which can be described as materialistic, in which
the existence of these elements, is admitted as real, is the view of C¡rv¡ka
School (also called Lok¡yata).
The other, which is traditionally traced to B¤haspati whose postulates
are often quoted for corraboration, admits the existence of mental or
psychological entities as being equally real, and can be described as
idealistic philosophy. These non-material entities may be either
considered as having a fleeting existence, as is done by the Buddhist
philosophers or they may be considered as permanent, as is done by the
majority of Indian philosophical schools. A further trend of thought was
developed later in which the mental or spiritual entity alone was regarded
as really existing, thereby implying the non-existence of the material
things, giving rise to a kind of monism. But the majority of the
philosophical schools in India admitted the existence of both the mental
and material elements and drew a sharp distinction between the two, and
hence may be designated as realistic in nature. Among them a further
distinction can be made between those who regarded the psychic element as
being inactive, the activity being confined to the material elements as is
done by the S¡Ækhyas, and those who assigned all the activity to the psychic
element only, thinking the material elements as being inactive because of
being insentient. The concept of the mah¡bh£tas
and their proto-types called the tanm¡tras
play a vital role in all
philosophical systems of India. Though
these are generally admitted as real elements, the systems differ among
themselves as regards their exact number and nature. Five of these are
most frequently named, probably under the influence of the analysis to
which the microcosm is subjected and wherein the number five plays an
important part. Sometimes only four of them are given on the basis of
everyday experience and insistence on their concrete form as is done by
the C¡rv¡ka, Jain and Buddhist Schools. There are however some
indications of an earlier list of only three elements as can be seen from
the Ved¡nta doctrine of triv¤tkara¸a as against the later paµc¢kara¸a. Both
these views are based upon the supposition that each element has something
of the others in its composition. The Ionian Greek philosophers also refer
to only three such elements, water, air and fire as the source of all
things (Gr. arkh®), unless we
choose to interpret ®peiron of
Anaximandros as standing for space which is endless. We may choose to
consider only two - earth and waters - if we interpret the passage from B¤had¡ra¸yaka
UpaniÀad, V. 5.1 ¡paevedamagra
¡suÅ A it¡ ¡paÅ satyamasrjanta satyaÆ brahma brahma praj¡patim praj¡patirdev¡n
as giving the whole list in this concept of cosmogony. This
paper attempts to concentrate on the words mah¡bh£ta
and bh£ta and assess their nature from three different points of view,
which are generally used in the study of ancient literature. As Bruno
Snell points out, the study of early Greek philosophy, usually called
pre-Socratic, is to be based on the interpretation of the Greek texts with
a view to understand them from a mythological point of view, both as
literary works and as showing aesthetic values. Another is a semantic
analysis, by looking at the development of the meanings of the important
words, leading to the history of ideas or concepts; or from a
philosophical viewpoint by fixing the context of the complex system of
thought which they reveal. Here we can attempt only one of these
approaches, viz., the historical development of the concepts associated
with words bh£ta or mah¡bh£ta
with the hope that we would be able to clarify them a little better. Here
the key-words are studied not in the way in which a linguist
or a lexicographer studies them, an approach in which emphasis is
laid on the form of the words and their usage, but to concentrate on the idea itself, trace its origin and follow its development and
ramifications. The
method which can be effectively used for this purpose would be to try to
ascertain as accurately as possible the etymology of the words pertaining
to the ideas in general, then to fix the scope by considering the contexts
in which these words are used. Their places in the context of similar
words in the same language or a group of closely related languages are
also ascertained, so as to build a broad semantic field, and assign a
function to the given word. Thus taking up the basic concept one tries to
classify it along different scales, which are known as the semantic
co-ordinates like concrete or abstract, an individual or a generic type,
etc., and build up the history of the meaning of that word.
Each of these steps has its own limitations and hence for arriving
at a reasonably acceptable conclusion, it is necessary to supplement it
with material obtained from what can be tentatively called a comparative
study of word-meanings, which attempts to build up a prototype for its use
as does the historical linguistics for the form of the word. Our attempt
will be confined to the semantics of the given word. For the present, only
one aspect or two of mah¡bh£ta,
namely, its predominant use in the field of cosmogony and cosmology and
its numerical scope are taken up. Let
us translate the word mah¡bh£ta
as 'basic element'. Its use is most conspicuous in speculations on the
early cosmogonies and cosmologies in the Indian and Greek traditions.
These material elements seem to have grown in number from three to four
and then to five and their primitive meanings are preserved in the two
well-developed systems of Buddhism and Jainism, the two so-called
heterodox systems. In other words, they mark an earlier stage of the
concept of the mah¡bh£tas as
compared to the other systems of Indian thought, and their primary meaning
is better revealed in the growth of these concepts in the early Greek
Philosophy. The
traditional list enumerates them as p¤thiv¢ (earth); ¡paÅ
(waters); agni (fire); v¡yu
(air); and ¡k¡¿a (sky). In its reverse order we find them at Taittir¢ya
(2.1): "tasm¡d v¡ etasm¡d ¡tmana ¡k¡¿as sambh£taÅ A ¡k¡¿¡t
v¡yuÅ A v¡yoragniÅ A agner¡paÅ A adbhyaÅ
p¤thiv¢". Originally they were called merely as bh£tas.
The earliest occurrence of the word mah¡bh£ta
is found in the Aitareya Ëra¸yaka
(3.4): im¡ni ca paµca mah¡bh£t¡ni
p¤thiv¢, v¡yuÅ ¡k¡¿aÅ ¡po jyot¢ÆÀi. It is again found in
the apocryphal 14th chapter of Nirukta
the meaning of which is not at all clear. Another relatively early use is
found in Charaka's áar¢rasth¡na
(1.27.28): mah¡bh£t¡ni khaÆ v¡yuragnir¡paÅ
kÀitistath¡A In the P¡li literature it is found in the S¡maµµaphalasuttaÆ
of the D¢ghanik¡ya% ayaÆ
kho me k¡yo r£p¢ c¡tumah¡bh£tiko
m¡tt¡pettikasambhavo odanakumm¡s£pacayo . . . idaÆ ca pan me viµµ¡¸aÆ
ettha sitaÆ ettha pa·ibaddhaÆ; in the SaÆyuttanik¡ya,
22.82 : catt¡ro kho bhikkh£ mah¡bh£t¡
hetu catt¡ro mah¡bh£t¡ paµcayo r£pakkhandhassa paµc¡pan¡ya;
in the Paµcaskandha Prakara¸a
of Vasubandhu (as rendered in
Sanskrit) yat kincit r£paÆ sarvaÆ
tat catv¡ri mah¡bh£t¡ni catv¡ri ca mah¡bh£t¡ni up¡d¡ya. Most
of the earlier UpaniÀads and
Jain and Buddhist works use the simpler word bh£t¡ni
as in Taittir¢ya 3.1: yato v¡ im¡ni bh£t¡ni j¡yante yena j"¡t¡ni j¢vanti yat
prayanti; Chandogya, 1.9.1: sarv¡¸i
ha v¡ im¡ni bh£t¡ny¡k¡¿¡deva samutpadyante ¡k¡¿aÆ pratyastaÆ
y¡nti. (We should note particularly the words sarv¡¸i
¡ll" and ¡k¡¿a as the
source); B¤had¡ra¸yaka, 2.4.2
: etebhyo bh£tebhyaÅ samutth¡ya t¡nyeva
amvina¿yati (referring to idaÆ
mahadbh£tam~), 4.5.13, ávet¡¿vatara,
1.2 : k¡laÅ svabh¡vo niyatiryad¤cch¡
bh£t¡ni yoniÅ puruÀa iti cintyam A In
all other cases where the word bh£ta is used in the eighteen UpaniÀads
it means a creature or a being and not the material element. In the P¡li
works,
the word, usually used for the material element is not bh£ta
but dh¡tu. It is
highly instructive to read BuddhaghoÀa's
commentary Papaµcas£dan¢ on Majjhimanik¡ya
which says : tatth¡yaÆ bh£tasaddo paµcakkhaÆdha-amanussa-dh¡tu-vijjam¡na-kh¢¸¡sava-satta-rukkh¡disu
dissati. These seven meanings are explained by him with passages from
the P¡li canon as (1)(paµcasu
kha]mdhesu); (2) 'goblin' (y¡n¢dha
bh£t¡ni sam¡gat¡ni); (3) the four material elements (catusu
dh¡tusu); (4) any inanimate object (bh£tasmi]m
p¡cittiyaÆ); (5) as the predicative use of the verb (bh£ k¡ladhaso bh£to); (6) all beings (sabbe va nikkhipi]msaÆti bh£t¡loke samussaya]m); and (7) the
vegetable kingdom, particularly the trees or plants
(bh£tag¡map¡tavyat¡y¡). The
conclusion from this evidence can be easily drawn. Mah¡bh£ta
is the latest term to be used for the physical elements, which are taken
collectively and hence mostly used in plural. This should be distinguished
from its other use, where it is found
without forming a sam¡sa and means the
'great being'evaÆ v¡ ar«e idaÆ
mahad bh£tam anantam ap¡raÆ vijµ¡naghana eva - B¤had¡ra¸yaka,
2.4.12, immediately followed by the other use of bh£ta in Aitareya:
bh£tebhyaÅ samutth¡ya. It thus replaces the earlier word bh£ta
in the same sense. The Buddhists found the word bh£ta
in the sense of the material element confusing, because the primary and
usual sense of the word was 'living being'. Hence they replaced it with
the word dh¡tu which has the required meaning of a material substance. In
its turn the word bh£ta had the
meaning of an embodied being, a living creature and incidentally Ë tree'
when it is thought to possess life. It may be noted that the use of the
word bh£ta in this sense does
not make a distinction between the material body and the animating soul,
and thus represents a stage where both were inextricably mixed up, a stage
in which these two aspects were not separated. In
the Jain philosophical writings both in Sanskrit and Pr¡k¤t, the word mah¡bh£ta
is used while referring to the non-Jain systems of philosophy. Thus in the
S£yagada, 1.1.1 called the samayajjhaya¸a
a reference to the Lok¡yata
system is found in the following two verses: santi
paµca mahabbh£y¡ ihamegesim¡hiy¡A ete
paµca mahabbh£y¡. . . ¡yachadd¡ pujeg¡tu A all of which refer to
the C¡rv¡ka system and again at 2.1.654 : iha
khalu paµca mahabbh£y¡ jehi]m no kijja¢ kiriy¡ A It also uses the
word paµchamahabbh£iye to
refer to an adherent of this system. In all other cases the word bh£y¡ or bh£y¡¢Æ is
used to refer to all kinds of living beings, metti]m
bh£«esu kappa«e bh£«ehi]m na virujjhejjh¡ and to groups of
various grades of living beings ¶h¡¸a]mga
3.359: dev¡¸¡g¡ jakkh¡ bh£y¡
and the word bh£yag¡ma
is used as a collective term. In fact, the phrase sabbb«e p¡¸¡, sabb«e bh£y¡ sabbe j¢v¡ sabbe satt¡ occurs
hundreds of times in the Ardham¡gadh¢ canon. In the later philosophical
writings exemplified by the Ga¸adharav¡da
of the Vi¿eÀ¡va¿yakabh¡Àya of
Jinabhadra the words paµcabh£ya or
bh£ya are used to remove the
doubts of the fourth, Ga¸adharaÆ
Viyatta: kim ma¸¸e paµcabh£y¡ atthi va nathitti sansao tujjha (1649);
paµcakkhesu ¸a jutte tuha bh£mijal¡¸alesu sa´deho A
a¸il¡g¡sesu bhave so vi¸a kajjo¸um¡¸¡o (1748). We may note in
passing that Jinabhadra appears to believe that while the earth, water and
fire are directly observable, wind and sky are only to be inferred being
not perceptible. What he means can only be clarified in the context of the
atomic theory of the Jain philosophers. The
usually accepted five material elements are rubricated in the classical
philosophy of the Jains and are elaborated in the famous authoritative
work, the Tattv¡rthas£tra of
Um¡sw¡ti in a peculiar way thus differing from all other philosophical
systems. Four of them are included in the concept of pudgala
which stands for matter in general and the last one called ¡k¡¿a
gets its place along with two other elements called dharma
and adharma as non-sentient
entities and coupled with the sentient living beings, j¢vas,
they form the group of five astik¡yas.
This group is then opposed to k¡la
(time) which is regarded as an immaterial non-living thing. Altogether
they make up the six dravyas and
constitute the whole universe called loka
tattv¡rtha, tatra lokaÅ kaÅ
katividho v¡ ki]m sa]mstho v¡ A atrocyate
paµc¡stik¡yasamudayo lokaÅ (3-6). The space beyond the loka is called alok¡k¡¿a
which is said to be completely void, which makes the place of ¡k¡¿a
incompatible with the other four material elements. The latter forms a
group by themselves to be contrasted with the living elements on the basis
of their atomic structure. The current word used for them is astik¡ya
'having body'. Kundakunda, in his Paµc¡stik¡ya
points out that the a¸u or param¡¸u
is the cause of the four dh¡tus
(another term for the four material elements) and explains that they are
constituted by the molecular units formed of the atoms. Each atom is
supposed to possess one of the tastes tikta,
ka¶uka, kaÀ¡ya, ¡mla
and madhura, one of the five colours ¿veta, p¢ta, harita,
aru¸a and k¤À¸a, one
of the two smells sugandha and durgandha
and at least two pairs of touch, karka¿a,
m¤du, guru, laghu, ¿¢toÀ¸a, snigdhar£kÀa
the
last two pairs being compatible with each other, which means that a param¡¸u
can be either cold or hot, wet or dry. It is also credited with various
shapes like parima¸·ala, triko¸a, caturasra,
¡yata etc. This description of the atom appears to have a close
resemblance with the description given by Leukippos and elaborated by
Demokritos. In their view an atom is round and warm, white and rough,
black and smooth, sour and angular, and sweet and large, round.
This can hardly be an accident. This stage of thought is nearer the
concept of animatism than animism, the first and second stages of the
semantic development. This
complex theory of the atoms was not known to the earlier Jain writings,
and they used the material elements as a part of their doctrine
of Chajj¢vani-k¡ya the standard description of which is found in the
4th chapter of Dasavey¡liya, a m£las£tra.
The text says these six are pu·havik¡iy¡,
¡·ak¡iy¡, te·ak¡iy¡, va¸assaik¡iy¡ and tasak¡iy¡.
This view is completely animistic in nature. The elements are conceived as
animated beings and only as an afterthought the body is thought to be made
of the various elements. The Vai¿eÀika
theory that all the elements have a threefold form viz. ¿ar¢ra-indriya-viÀaya-bhed¡t and the view that the earth-body is
what we find here, while the bodies of other elements are located in the Varu¸aloka, the Ëdityaloka and the V¡yuloka
is a result of this
secondary interpretation. Ëk¡¿a
being incorporeal is excluded from this scheme. The interrelation between
the views of the C¡rv¡kas, Buddhists, the Jains and the Vai¿eÀikas is
not yet fully worked out in detail. Before
we are able to decide the exact stage of semantic development of these
elements called bh£tas it is
necessary to fix the earliest meaning of this word. It occurs in all
Indian philosophical systems and in the so-called scientific cosmogonies
of the pre-Socratic philosophers in Greece. It may be pointed out that
there is no common word found in Greek to cover all the elements together
and they are considered as having their own ph«usis.
The surest example of the reconstruction of a root in IE period is
supplied by the equation Gr. ph«usis
and Skt. bh£ta and a number
of verbal and adjectival forms derived from this root. These can be
listed as follows:
Skt.
abh£ta, Gr. «eph£ aorist 3rd sg., Skt. Bh£y¡t,
Gr. phui"e benedictive, Skt.
babh£v¡n, Gr. pephu"os perfect part.,
and its fem. Skt. babh£v«uÀ¢,
Gr. pephun"ea. From these
forms it is easy to set up the equation IE bhe
¶ - Skt bh£, Gr. ph«u"o.
There is a minor point of sound change in this, because the vowel is long
in Sanskrit but short in Greek. The most likely explanation for it is to
consider the root as having a dissyllabic structure. The root vowel was
originally short, which has been set up as a long £
in Skt., for purely technical reasons that the root is to be given in the
form in which it occurs in the past passive participle. That the vowel was
originally short is reflected in the s£tra
of P¡¸ini bh£v¡dayo dh¡tavaÅ, 1.3.1.
where, in spite of Pataµjali, the V-sound was a mere glide between bh£ and ¡di. The
main purpose of this comparison is to find out the original meaning of
this root. Without going into details I am inclined to think that the
suppletion between the two Indo-European roots
bhe ¶ and es tell us their
semantic relationship. While as
- has the meaning of a verb of existence, the root bhe
¶ - expresses the idea of growth, development, change. This is
reflected in the P¡¸ini's S£tra
2.4.52 asterbh£Å by which the
root bh£ replaces the root as
in all non-conjugational tenses, which can be explained only on the
assumption that as has a stative aspect, confirming the fact as it is, while bhe
¶ has a progressive aspect, stating what the thing is growing or
developing into. The first is static while the second is dynamic. This is
quite clear in Sanskrit where bhavati means 'it grows', while asti
means 'it exists'. Prof. Burnel appears to think that the corresponding
root in Greek and its noun form ph«usis
means 'the stuff out of which a thing is made', thus having nearly the
same meaning which arkh"e
has. Most linguists however believe that the root means 'to grow', and the
noun means 'growth'. The meaning of ph«usis
as 'nature of a thing' is a later development due to its contrast with the
other word th«esis which means
what is attributed or assigned to a thing, in fact, the association of a
word with its meaning which corresponds to the Sanskrit concept of v¤tti or saÆketa. Its
exact Skt. correspondence is bh£ti which
never has the meaning of existence but that of growth and hence
prosperity. On the other hand, the passive participle of the root bhe ¶ gives us in Sanskrit bh£ta
which has been all along used to refer to living beings. Only on this
suffixation can we explain the meaning 'a tree' of this word as attested
by BuddhaghoÀa in P¡li and the meaning of the Greek word ph«uton to mean a plant or tree as can be seen from its use in
words like zoophyte - 'a plant
resembling an animal' and phyto-graphy
which means descriptive botany. This original meaning plays an important
role in the context of cosmogony both in India and Greece where we are
told that one thing gives birth to another or one thing merges into
another, which are the basic concepts of the cosmogony of the elements. The
speculations of a cosmological nature which are found scattered in the
major UpaniÀads have been
clearly summarised by Prof. R.D. Ranade in his well-known work, A
Constructive Survey of Upanisadic Philosophy, in which he has also
drawn attention to similar ideas found in early Ionian philosophers from
the seventh century onwards. Thales the earliest among them considered
that all things came out of water. Anaximenes thought that air is the
primary substance out of which arose all others by the process of man«osis
'thinning' and p«ullnosis 'the
process of thickening'. Anaximander considered the primary substance to be
infinite or indeterminate, calling it a-peiron
'endless', which was intermediate between earth and water on the one side
and air and fire on the other, from which developed all these four
elements. Heracleitos
of Ephesos championed the claim of fire as the source of the other
elements by saying that fire first transformed itself into sea and this
changed partly into earth and partly into air (pr"est"«er)
as can be seen from his fragments 20 to 26. With these can be compared B¤had¡ra¸yaka,
V.5.1: ¡pevedamagre ¡suÅ A t¡ ¡paÅ
satyamas¤janta. Ch¡ndogya, IV.3.1: v¡yurv¡va saÆvargo A yad¡ v¡
agnirudv¡yati v¡yumeva apyeti A yad¡ ¡paÅ ucchuÀyanti v¡yumeva
apiyanti. We find in Ch¡ndogya, VI. 8.4 the suggestion that the first
evolute was fire from which came water and food (which stands for the
earth) on the analogy of the root and the shoot of a tree: evameva
khalu somya annena ¿u´gena ¡pom£lamanviccha, adbhiÅ somya ¿u´gena
tejom£lamanviccha tejas¡ somya ¿u´gena sanm£lamanviccha. There
are a couple of passages where ¡k¡¿a (is it sky? heaven, or space?) is considered as the source
of all the other elements. Ch¡ndogya
1.9.1: sarv¡¸i ha v¡ im¡ni
bh£t¡ni ¡k¡¿¡deva samutpadyante ¡k¡¿aÆ pratyastaÆ yanti. As
thought progressed, the UpaniÀads
suggested some abstract or psychological objects as the real source of all
these elements. Like Anaximander's «a-peiron
¡k¡¿a is taken as the source of all. Similarly asat
(Gr. m"e «on), sat
(Gr. «on), pr¡¸a, ¡tman
and still later a creator was taken as the original point of departure.
All these speculations suggest some further progress of thought, but do
not explain or clarify the older ideas of taking the elements as basic,
which certainly was the earlier stage. To
understand the conceptual background of these earlier cosmogonies, we have
to look at the history of the meanings of the words used for the elements.
In other words, we have to fix the original meanings of the names of these
elements. A few facts about them may be stated without much discussion.
The words p¤thiv¢, ap,
tejas, v¡yu
and ¡k¡¿a appear to be their original designations. Only at a later
stage, when these words lost their cosmological affiliations are they
replaced by other words having the same meaning. From being of specific
connotations, they acquired more generalised meaning and then it became
unimportant which word could be used for them. One can compare the
original words with the words used in a text like Caraka
SaÆhit¡ : kha, ap, v¡yu, agni, kÀiti,
mah¢ and bh£mi are used
only in the Jaimin¢yopaniÀad, 1.10.10, while kÀiti is found in the older UpaniÀads.
Maitr¡ya¸¢ has the list in
the form ¡k¡¿av¡yvagnyudaka bh£my¡dayaÅ
6.4; v¡ta is not used in this
context, as also udaka. In Mu¸·aka, 2.1.3 we read: etasm¡t
(puruÀ¡t) j¡yate pr¡¸o manaÅ sarvendriy¡¸i ca A khaÆ v¡yurjyotir¡paÅ p¤thiv¢ vi¿vasya dh¡ri¸¢ A which is a
very late form of cosmogony and these things never play the role of a
source. Long ago Meillet showed that while udaka
means water in a secular sense, ¡paÅ
has religious and cosmological associations. Of the two IE words for fire,
agni (IE ognis) and p«ur, the
first is the older being found in the marginal areas while pur (e.g. fire)
is an innovation. The
situation is very similar to this in
Greek as well. For earth both g®
and khth°n are used but the first gets a place in the cosmology as one
member of the primeval pair, and is used as an element. khth°n cognate with Skt. kÀm¡
mostly refers to the surface of the earth, as a place of habitation. In
the Iliad, XIX-259 it is
associated with the seen and the Erinys and occurs in the utterance of an
imprecation (g® te K¡i
h®lios K¡i Evineies). For wind «aveimos
(root - ave- to blow) is used
which suggests its origin in breathing, while Sanskrit v¡yu corresponds to a"er
and originally meant mist, or lower atmosphere, as against the upper vault
or firmament, which corresponds to Sanskrit "¡k¡¿a
'the shining one'. The word used in the building up of the Greek mythology
is however Ouranos 'heaven'. Aith«er
is used as a feminine noun to refer to the upper air or heaven. Thus air
and sky did not occur as different elements in Greek cosmogony. Here
either one or other element is taken as the original substance which in
the Greek mythology is concerned as a living thing, and in no way
different from the anthropomorphic gods. The
situation is slightly different in the UpaniÀadic cosmogonies. While
commenting upon Ch¡ndogya,
III.14.1: tajjal¡niti ¿¡nta up¡s¢ta
the cryptic word tajjal¡n is
explained by áa´kara with the words, kathaÆ sarvasya brahmatvam-ityata ¡ha
tajjal""¡niti A tasm¡d brahma¸o j¡taÆ tejo'bann¡dikrame¸a
sarvam A atastajjam A tath¡ tenaiva jananakrame¸a pratilomatay¡
tasminneva brahma¸i l¢yate tad¡tmatay¡ ¿liÀyate iti tallam A tath¡
tasminneva sthitik¡le'niti pr¡¸iti ceÀ¶ate iti A Whatever
the value of such an explanation, taking the word-element ja
from j¡ta,
la from l¢yate and an from aniti,
it is obvious that the cosmogonies use two methods of evolution and
involution to describe the process
of creation or dissolution, which is only partly true of the Greek
cosmogonies. Obviously the process is built on the model of the birth,
existence, and death of a man or a living being. A close scrutiny of the
wording of the cosmogonies reveals the fact that in all of them, the
process of birth and also that of absorption or end on the part of these
basic elements is used in the active sense, as something which they do.
This means they are animate things acting on their own. In this context we
should consider expressions like: t¡
¡paÅ satyamas¤janta tadaikÀata bahu sy¡Æ praj¡yeyeti, tattejo's¤jata
while creating and apyeti, prayanti,
abhisaÆvi¿anti while merging, which attribute to them conscious acts
of origination and dissolution. Let
us summarise the semantic development discussed so far. The four elements
or mah¡bh£tas were originally
considered as living objects like men and animals, and hence could do all
the activities which were expected of them as living beings. This stage of
thought is given the name of animatism by the anthropologists while
dealing with the origins of
religion. At this stage no
distinction was drawn between the living and lifeless. This was the stage
at which these four or five mah¡bh£tas
were conceived. In
the next stage occurred a differentiation between those who were endowed
with the power of conscious activity which gave rise to anthropomorphism
and there emerged mythological stories when these elements, particularly
the earth, water, air and sky
were personified to produce the stories of creation. This marked the
second stage of thought where a distinction was drawn between the sentient
element and the non-sentient part which was conceived as the bodies of
these elements. This gave rise to what are known as the scientific
cosmogonies of the early Greek thinkers, and also some of the early
cosmogonies found in the UpaniÀads. The
third stage of development further emphasized the part played by the
psychic element in creation and the cosmologies were so adjusted as to
give to these elements the real activity of production, while their bodies
were regarded as inanimate by nature. This completed the distinction
between living and lifeless things. Further growth of thought centred
round the ephemeral or permanent nature of the psychic element called the
soul. The semantic history of the Greek word ps£khe
epitomises this development in its
three successive meanings breath, life and soul, while others like g®,
herd«or, p«ur, «anemos, aith"er
or ouran«os became fixed in their meanings at the end of the second
stage of development. |
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1995 Indira Gandhi National Centre for the Arts, New Delhi