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UNDERSTANDING KUCHIPUDI
GURU C. R. ACHARYA and MALLIKA SARABHAI
1992, 212pp., line drawings,
b&w illus., gloss., bibl., index, Rs 200 (HB)

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Kuchipuḍī's
codified language of gestures and the techniques of human movement are
known to different regions of lndia. No one treatise can be considered
as the base for the grammar of the dance style. Nevertheless, there is
great relevance of the texts, such as the Nṛtta Ratnāvalī for
Kuchipuḍī. The history and the textual sources provide the link of
continuity for the contemporary, almost modern reinterpretation of
Kuchipuḍī through the female form during the last two or three
decades. The problem of transferring a technique which was evolved for
the male body to impersonate female, to be articulated again through
the female, presents complex kinesthetical problems. These are the
challenges which a Kuchipuḍī dancer faces, meets and overcomes in a
successful performance.
This volume puts together the corpus of the codified text,
supplemented with a brief history. It, no doubt, gives guidance to
those pursuing Kuchipuḍī as practitioners and performers of this
style.
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